KKIA launches new route from Riyadh to Sarajevo

KKIA launches new route from Riyadh to Sarajevo
Ayman AboAbah, CEO of Riyadh Airports Company, and Steven Greenway, flyadeal’s CEO, sign deal for direct flights between Riyadh and the Bosnian capital Sarajevo. (Supplied)
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Updated 13 June 2024
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KKIA launches new route from Riyadh to Sarajevo

KKIA launches new route from Riyadh to Sarajevo
  • Partnership with Saudi airline flyadeal will see seven weekly flights between the two cities, using an Airbus A320

RIYADH: King Khalid International Airport has announced that direct flights between Riyadh and the Bosnian capital Sarajevo will begin this month.

A partnership with Saudi airline flyadeal will see seven weekly flights between the two cities, using an Airbus A320. This could see 1,302 passengers traveling the route each week.

Ayman AboAbah, CEO of Riyadh Airports Company, which manages and operated KKIA, said: “flyadeal’s launch of this new route between Riyadh and Sarajevo supports the objectives of the Saudi Aviation Strategy, as it adds to Riyadh’s international destinations as well as its current role as the most attractive tourist, cultural, sports and entertainment destination in the region. We at RAC are targeting more international destinations to connect with Riyadh, by air in the future.”

Steven Greenway, flyadeal’s CEO, said: “flyadeal looks forward to serving our exciting summer destinations, returning to seven popular hotspots in Europe, central Asia and Egypt, with our first new route of the season launched between Riyadh and Sarajevo in Bosnia Herzegovina.”


Sculpture crafted from 517 carats of diamonds unveiled in Riyadh

Sculpture crafted from 517 carats of diamonds unveiled in Riyadh
Updated 16 sec ago
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Sculpture crafted from 517 carats of diamonds unveiled in Riyadh

Sculpture crafted from 517 carats of diamonds unveiled in Riyadh
  • Brendan Murphy’s ‘Frozen with Desire’ takes center stage at exhibition
  • Part of ‘Boonji Spaceman’ series, symbolizes courage to face ‘unknown’

Riyadh: Renowned American contemporary artist Brendan Murphy unveiled his masterpiece “Frozen with Desire” — a sculpture crafted from 517 carats of diamonds set in platinum — at the Four Seasons Hotel Riyadh on Sunday.

Several of his sculptures will be on display at the hotel’s Cafe Boulud for one month. It is his second show in the Kingdom after an exhibition in November at Ahlam Gallery. 

Murphy describes “Frozen with Desire” as an extension of his “Boonji Spaceman” series, symbolizing the courage to embrace the unknown rather than merely representing space travel.

“Who is inside the astronaut suit? What are they thinking? That’s what fascinates me,” Murphy told Arab News. “It’s about stepping into the unknown, just like an artist does with every new creation.”

The sculpture is a feat of artistic and technical precision. “Artists always try to do things that seem impossible. That’s part of the creative process,” Murphy explained.

Murphy’s exhibition was accompanied by a cheese-tasting session led by Philippe Caillouet, a Meilleur Ouvrier de France-award recipient, and director of cheese marketing at the high-end hotel.

Caillouet captivated attendees with fascinating stories about cheese-making traditions, adding cultural and culinary dimensions to the evening.

The unveiling of “Frozen with Desire,” was followed by a sumptuous dinner, making the night an unforgettable fusion of art, fine dining, and storytelling.

Beyond the exhibition, Murphy sees Saudi Arabia as a vital part of his artistic journey. He said the Kingdom was experiencing a cultural renaissance but challenges remain.

“There’s a real hunger for creativity here,” Murphy said. “But many young artists lack access to the best materials and formal education. My goal is to help bridge that gap.”

He highlighted the need for a balanced artistic approach and the use of a wide range of mediums and genres. “Digital art is great, but what about painting and sculpture? Those require more time, resources, and mastery,” he said.

Murphy is committed to long-term collaborations in the Kingdom, revealing plans for public art installations at the new Riyadh airport and Expo 2030. His most ambitious project is the launch of a 1,000 sq. meter immersive art space in Riyadh later this year.

“I’m not just here for one exhibition — I want to create a permanent experience, a space where people can engage with my art every day, whether I’m here or not,” he said.


3 Saudi ports add 5 new shipping services from Hapag-Lloyd, Maersk

3 Saudi ports add 5 new shipping services from Hapag-Lloyd, Maersk
Updated 03 February 2025
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3 Saudi ports add 5 new shipping services from Hapag-Lloyd, Maersk

3 Saudi ports add 5 new shipping services from Hapag-Lloyd, Maersk
  • Connections between Jeddah, Dammam and Jubail ports with key counterparts in Asia, Africa and Europe

RIYADH: Saudi Arabia’s General Authority of Ports — also known as Mawani — on Sunday announced the addition of five new shipping services from Hapag-Lloyd and Maersk to Jeddah Islamic Port, King Abdulaziz Port in Dammam, and Jubail Commercial Port.

In a news release, Mawani said the new services would connect the three Saudi seaports with those in Aqaba in Jordan, Port Said in Egypt, Tangier in Morocco, Algeciras in Spain, Jebel Ali in the UAE, Mundar and Pipavav in India, and Salalah in Oman.

They will have a total capacity of 19,869 containers that are 6 meters in length.

The new additions are expected to enhance the competitiveness of the Kingdom’s pivotal ports in the region and globally, the Saudi Press Agency reported.

Mawani stated that efforts to widen the Kingdom’s position in the maritime navigation network connectivity index are in line with the objectives of the National Strategy for Transport and Logistics Services.

Jeddah Islamic Port was earlier chosen as a center for the Gemini cooperation agreement between Hapag-Lloyd and Maersk.

This will consist of around 340 modern and efficient vessels to cover seven trades and offer 57 services including mainliner and dedicated shuttle services.


Kalimat’s journey continues with writing workshop in Alkhobar

Kalimat’s journey continues with writing workshop in Alkhobar
Updated 02 February 2025
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Kalimat’s journey continues with writing workshop in Alkhobar

Kalimat’s journey continues with writing workshop in Alkhobar
  • ‘We’re remaking the new narrative of Saudi Arabia,’ says co-founder Haifa Al-Owain

ALKHOBAR: A decade after Kalimat House first began its journey in the heart of Alkhobar, the initiative has returned with a writing workshop to capture the evolving essence of the city and its people.

“We’re remaking the new narrative of Saudi Arabia,” Haifa Al-Owain, co-founder of Kalimat House, told Arab News.

Founded in 2014 by cultural visionaries Anfal Al-Hammad and Al-Owain, Kalimat House was born with a mission to foster literature, arts and social impact.

Haifa Al-Owain, Kalimat House co-founder. (Supplied)

Initially centered on creating a safe space for women to engage in storytelling and creative expression, Kalimat has evolved over the years, expanding its reach to embrace all genders and a broader community, while retaining its commitment to promoting intellectual exchange and fostering creativity.

The Alkhobar workshop marked a symbolic return to where it all began for Kalimat — which has since evolved toward Riyadh and online — by providing an opportunity to reflect on the past while looking toward the future.

FASTFACT

Founded in 2014 by cultural visionaries Anfal Al-Hammad and Haifa Al-Owain, Kalimat House was born with a mission to foster literature, arts and social impact.

Hosted at the new permanent Tanafs Cultural Experiences’ space in northern Alkhobar, the ticketed workshop invited participants, some of whom were visiting from other cities, to explore their relationship with the city of Alkhobar, using writing and photography to uncover personal histories and collective memories.

The Kalimat workshop invited participants to explore their relationship with the city of Alkhobar, using writing and photography to uncover personal histories and collective memories. (Supplied)

Through a unique blend of creative exercises and prompts led by Al-Owain, participants were encouraged to reflect on how their personal stories were woven into the fabric of the city.

Participants shared images of Alkhobar, including the corniche and spaces like hospital rooms, taken with both old film cameras and modern smartphones. All photos were printed to provide a tangible memory connected to Alkhobar.

Red notebooks were provided for participants to write on, but a few opted to write on their laptops or phones.

The experience of writing in front of mostly unfamiliar faces was an opportunity to reconnect with the city and the people who live in it. (Supplied)

People were encouraged to read aloud their snippets to be discussed among the group.

For many, these images and the writings they inspired were more than just pictures; they were windows into the past, evoking nostalgia for familiar streets, once-bustling markets.

The ever-present Alkhobar cats and the corniche made cameos in nearly every narrative.

Even if it’s the same city, we see it in different ways.

Haifa Al-Owain, Kalimat House co-founder

“Even if it’s the same city, we see it in different ways,” Al-Owain said.

For some, the workshop was a way to reestablish a connection with a city that, depending on who you ask, had either changed too much or not enough over the years.

Co-founders of ‘Kalimat’ Haifa AlOwain, Anfal AlHammad along with the host of the writing workshop space Khaled Almsaad, Founder of Tanafs Cultural Experiences. (Supplied)

“The Dammam I was born in is not the Dammam I live in right now,” Al-Owain said.

Dammam, a vital port located in the Eastern Province, is a prime example of urbanization, with new developments reshaping its skyline and identity.

Now mostly residing in Riyadh where she grew up, Al-Owain sees the change that has shifted over time in each city as personal to each of us.

All photos were printed to provide a tangible memory connected to Alkhobar. (Supplied)

She said: “I think it’s funny how some people found it to be a relief for a city to be the same and others found that to be disappointing. So it just depends on their ideas.”

The tension between progress and preservation became a central topic during the discussions. Participants pondered what aspects of their cities they felt should remain the same and what should evolve with time — a conversation that spoke to the larger cultural shifts happening across Saudi Arabia.

One of the workshop’s most poignant moments came through the reflections of Hussah Al-Yahya, a past participant who returned to Alkhobar four months ago after three years in London.

The Kalimat workshop invited participants to explore their relationship with the city of Alkhobar, using writing and photography to uncover personal histories and collective memories. (Supplied)

“I was born and raised in Alkhobar; this is my hometown,” she told Arab News. “I attended some Kalimat workshops in the past. My experience today was different from the earlier workshops that I attended. It’s different because I’m a different person.”

The workshop for Al-Yahya was not just a chance to reflect on the city; it was a journey of self-discovery and reconnection with a place that held memories of both joy and struggle.

“I have so many experiences in the city, good and bad,” she said. “But for the most part I do remember or I am grateful that even my bad experiences were amongst people and a place that is like this. I was lucky that my family had built a community here that was very loving and supporting and kind.”

For Al-Yahya, the workshop held another particular significance. “Today’s workshop was the first time that I shared something I wrote. And it was the first time that I wrote with intention,” she explained.

Writing in a room full of mostly unfamiliar faces became a way to reconnect with both the city and the people who share it.

Kalimat House’s evolution over the years also mirrors the changes in Saudi society.

“We started Kalimat 10 years ago, and now we’ve transformed into a company that deals with both business-to-customer and business-to-business experiences,” said Al-Hammad.

Al-Hammad stressed that, from the very beginning, the goal was to create a platform that welcomed people, regardless of their language or background.

“We didn’t want to feel like we were excluding a community or someone because they didn’t speak the language,” she explained. Kalimat’s bilingual approach (Arabic and English) has played a vital role in fostering a diverse and inclusive community.

Khaled Almsaad, founder of Tanafs Cultural Experiences, a community-centered initiative, was present during the workshop, offering invaluable insights and showcasing updated old maps on the big screen. His street photography was hung all over the space, offering more visual guidance to the participants.

Al-Hammad said that the goal of the workshops was to create spaces for creative exploration and human connection.

“We don’t want to do any academic or systematic workshops because people are more chilled and relaxed these days,” she said, adding that the workshops had become a vital part of the cultural scene in which participants could engage in art, literature and storytelling in an informal and inclusive setting.

For Kalimat, it is not just about the writing but fostering connections and providing a space for individuals to explore their identities and narratives.

“There won’t be a Kalimat activity without networking or socializing because they go together,” said Al-Hammad.

“Honestly, this is what has helped Kalimat survive all these years.”

 


Indonesian Embassy’s event aims to foster Saudi-Indonesian ties through fashion

Indonesian Embassy’s event aims to foster Saudi-Indonesian ties through fashion
Updated 02 February 2025
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Indonesian Embassy’s event aims to foster Saudi-Indonesian ties through fashion

Indonesian Embassy’s event aims to foster Saudi-Indonesian ties through fashion
  • Designs on show at Riyadh’s Cultural Palace

RIYADH: The Embassy of Indonesia on Friday hosted the Indonesia Fashion Night, an evening celebrating designs, at Riyadh’s Cultural Palace.

Sugiri Suparwan, the deputy chief of mission at the embassy, said: “Tonight we celebrate creativity, culture, and collaboration as we showcase the beauty and diversity of Indonesian fashion.”

Noesa Birama showcased collections from nine Indonesian designers, including Deden Siswanto and her line Rachana Abra; Opie Ovie with Blue Journey to Eternity; Nina M. Nata with Splendor of Abaya; Irmasari Joedawinata with Hidden; Yani Halim with Cordial Bellis; Shaza by Adelina with Bon Voyage; Althafunissa by Karina with Haneen Jeumpa; Rinnasuri with Urang Minang; and Nura Boutique by Oewi Wahyono with Floral Blooming.

Photo by Loai El-Kellawy

Wahyono has been living in Jeddah for over 30 years and said that many of her pieces drew inspiration from Saudi Arabia.

When asked if there were any Saudi elements that inspired or impacted her design process, she referenced her love for the Saudi abaya.

She said: “I have been here in Saudi and you can see now with the outfit I am wearing, I always make my designs into dresses, but also similar to abayas.

Photo by Loai El-Kellawy

“Abaya for me is something that I can’t live without. Everywhere I go I’m always wearing an abaya. I love abayas, maybe that’s why.”

She added: “I might change it slightly but I am always wearing and using the abaya style.”

Speaking about her fashion line, Floral Blooming, the designer said: “These designs tell the story of floral blooming. The pattern of the material displays many floral sand butterflies.”

Photo by Loai El-Kellawy

Attending the fashion event were a variety of figures from the Kingdom, including business owners, ambassadors, fashion designers, and influencers.

The main element of the event featured a catwalk that ran through the center of the Cultural Palace’s hall with a backdrop that showcased dresses and themes.

In their mission to strengthen the bilateral cooperation between Saudi Arabia and Indonesia, the embassy invited designers to showcase their pieces in a way that allowed visitors a close look.

Photo by Loai El-Kellawy

The evening began with remarks from Suparwan followed by a message from Yusuf Arifin, the chairman of the fashion show.

The deputy chief of mission said that the fashion industry was one of Indonesia’s most “dynamic and growing” sectors.

Suparwan added: “In 2025, revenue from Indonesia’s fashion market is projected to reach $8.8 billion with an annual growth of 2.07 percent.

Photo by Loai El-Kellawy

“Saudi Arabia’s fashion market, on the other hand, is expected to generate $5.1 billion by this year, growing at an impressive rate of 10.3 percent a year.”

Suparwan spoke of the “enormous potential for both markets and the opportunities that lie ahead.”

The envoy said that potential alone was not enough and that it needed to be connected, expressing the hope that the fashion event could serve as a bridge between the Saudi and Indonesian fashion industries while “fostering collaboration, partnerships and mutual growth.”

Arifin described the event as “an evening that celebrates the creativity, artistry, and cultural heritage of Indonesia,” with some 18 local models adorning traditional Indonesian textiles.

 


King Salman academy, Ministry of Education honor reading contest winners

King Salman academy, Ministry of Education honor reading contest winners
Updated 02 February 2025
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King Salman academy, Ministry of Education honor reading contest winners

King Salman academy, Ministry of Education honor reading contest winners
  • Academy awards winners from participants across 30 countries

RIYADH: The King Salman Global Academy for Arabic Language, and the Ministry of Education honored the winners of the Children’s Reading Challenge in Riyadh on Sunday.

The academy awarded SR250,000 ($67,000) to 60 winners from a total of nearly 8,000 participants across 30 countries.

Abdullah Al-Washmi, the academy’s secretary-general, thanked the Ministry of Education for promoting the competition in Saudi schools.

SR250,000 ($67,000) was awarded to 60 winners from nearly 8,000 participants in 30 countries. (Supplied)

He also praised the judges, schools, and institutions for their contributions toward the academy achieving its goals — enhancing classical Arabic speaking skills, strengthening its presence in education and culture, and providing a platform for talented children.

Al-Washmi highlighted the competition’s international reach, saying: “This confirms the global status of the Arabic language and the academy’s role in promoting its spread and supporting linguistic creativity among future generations.”

The event featured a theatrical performance by children which showcased their speech and skills of expression in an engaging cultural display.

Maha Al-Otaibi, head of the linguistic culture sector at the academy. (Supplied)

The academy offered a training course on speaking skills on the sidelines, covering voice control techniques, audience interaction, expressive performance, and confidence in speech.

Maha Al-Otaibi, head of the linguistic culture sector at the academy, said that the participation of about 8,000 children from 30 countries reflected the growing global interest in the Arabic language.

Al-Otaibi said: “The competition contributes to strengthening cultural identity and consolidating Arab children’s connection to their mother tongue.

“It enhances their love for the art of the Arabic language and encourages families and teachers to support it, especially amid the challenges posed by the influence of other languages," she told Arab News.

She spoke of the programs accompanying the ceremony, such as the interactive Arabic language exhibition and the training course which helps children acquire essential skills to strengthen their Arabic proficiency and bring them closer to classical Arabic.

“Such programs contribute to promoting the spread of the Arabic language globally, building a generation aware of its culture and language, and capable of representing it with pride and distinction,” Al-Otaibi said.